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Tetsuo - The Iron Man (Special Edition) Actors: Tomorowo Taguchi, Kei Fujiwara Director: Shinya Tsukamoto Number of Items: 1 Format: Color, Closed-captioned Audience Rating: NR (Not Rated) Running Time: 67 minutes Studio: Tartan Video Product Group: DVD Release Date: 2005-07-19 Buy from Amazon |
"A must-see for all film students!" High creativity on low budget. Very creative and imaginative film produced with obviously little money. The stop motion animation and time lapse sequences are particularly noteworthy. I don't know what the fuss is about it being "shocking". It's no more shocking than EDWARD SCISSORHANDS (similar idea, too). "this is amazing" this film was amazing. it is like no other thing i have seen. although it does relate to alot of ideas given by D.C. and JG ballard. it is somthing totally new visually and idea wise. buy... this movie anyway for you to see it. it shows you what you can do with a camera. i'm watching it again. "If you want to see some thing different......" This is one of my all time favorites. This is the film that inspires me to make films. I keep going back to it over and over each time I see somthing new. This film blows Eraser head out of the water. "violence is a little over the top, but a real experience" let me start out by saying that most people should not see this movie or even try to. if you think that you can just turn it off when it gets disturbing and forget about it, you're sadly mistaken, because when you've seen just one sick part you'll be pretty revolted for a good amount of time even if you shut it off that second. this is only for people who enjoy art that is basically a shot at convention and a sort of revelry in surreal and disturbing imagery without necessarily needing a coherent or logical storyline, and if you're not among those people, stay far, faaaaaar away. for film students and people inclined to surrealistic/philosophical/absurdist art, this is an absolute necessity. the thing i loved about 'tetsuo' is that after the whole admittedly odd film, i came away with a feeling of having really aesthetically experienced something:a descent into the bizarre and the taboo that i felt concluded on a note of vitality and defiance that is touching. "we can put an end to this...world!", one of the 'metal men' screams to the other. it is not a pointless exercise in gore or depravity, but a frantic and urgent exhortation to fight against the dehumanization that is inevitable in a mechanistic, nightmarish, high-tech civilization. in a sense these two unfortunate victims of an insane and impersonal society do something positive with their horrendous fates, in that they set aside their petty personal battle and heroically turn what has destroyed and mutilated them against itself and thereby become more human than when they were both simply flesh and blood. of course, this is only my individual interpretation, but i feel pretty certain that the message of this movie is along those lines. one the other hand, i did feel some of the scenes were needlessly disgusting and that the director inadvertently made a lot of the movie so repugnant that what could have been a real, universally recognized cult classic will only be accessible to the toughest and most philosophically sensitive people out there, which are few indeed--too few for 'tetsuo' to ever gain even the slightest notoriety or communicate it's worthy message to the majority of viewers. even lynch, who i also have a great deal of admiration for, knows that while he can get away with a great deal of scenes that are utterly perverse and sadomasochistic because of his incredible flair for the surreal and mysterious, he has to let his viewers come up for air every once in awhile and take that unfortunate but absolutely necessary reversion to the mundane without which the subtlety indispensable to a great film is lost. but for those who love the artistic creation of really disturbing but beautifully artificial realities, this movie will be a gem and certainly a must buy. so in that sense, 'tetsuo' is one of the best movies of our time. "A horror film about being gay in Japan..." First of all, let me state something that nobody seems to want to say explicitly; this is one unnerving movie with some of the most unpleasant scenes I've ever seen, and that includes Cronenberg. Also, there's an undeniable homoerotic subtext to the whole thing (and I'm not inferring; it's pretty clear, despite the lousy subtitle job Image subcontracted out.) As far as comparisons go, this is a lot like the work of Jan Svankmajer, in terms of effects and narrative feel (and I suspect Tsukamoto knows the work of Svankmajer well.) But the material is about as far from Svankmajer's social concerns as you can get. I don't claim to know Japanese society that well, but I DO know it wasn't (and still isn't) nearly as tolerant as the US, and "Tetsuo" is a strong reflection of that. The main character is a man who is torn apart by guilt over a crime he has committed, and also for his failure to conform to societal standards. He is terrified of women, and he also resents them (epitomized in two extremely gory and unnerving scenes.) And because, one feels, that he's told that he's unnatural and inhuman, he BECOMES unnatural and inhuman, literally an iron man. This is not a upbeat story; this is a story about a man who has destroyed himself and achieves the power to take the society that caused it down with him. Even finding love isn't enough for him. This is a movie about a man who is twisted and warped by society, and who will destroy everyone thanks to that society. Personally, I found it fascinating, but unless you've explored Jan Svankmajer, David Cronenberg, David Lynch, and others extensively, I would be careful about approaching this. Put it this way; if you weren't bugged by "Crash" but found it interesting, "Tetsuo" won't be too much for you. |